Little books, part II

Posted in little books, paper, surface design on June 22, 2015 by Betsy Lahaussois

The adventure continues when Little Books meet gravity, and I become mesmerized by drips! This is a time when it is good to have a drop cloth on the table below, and a gentle breeze from behind, waving the slower drips along on their course. Liquid inks behave differently from “liquid acrylic inks”, I found, when I spritzed them and some colors bled, while others remained firmly anchored on their paths. But if you’ve applied a coat of linseed oil to the strip and dried it, the paper becomes translucent, and the lines go resolutely south instead of meandering; interesting! And hints of them are visible on the back, which is a welcome “something” to respond to when you start side two.

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(I can’t resist including this shot of the dripped, drying books, which looks so oriental with the mosaic canopy. Expanded text of the mosaic is “BPL Studio. Knock Or Else!…”)

At some point I remembered I had four or five unopened bottles of colored ink, part of a starter kit I bought at a back to school sale a couple of years ago. Day Glo orange and acid yellow are not the first colors I think of when I am in a muted mood, but they have their place when you are feeling expansive!

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And because the sun was still shining, and there was still some colored ink in the the pipette, I broke out a couple of blank greeting cards to drip over. There are lots of family birthdays coming soon! It’s nice that there is a practical application for the tricks I have been discovering in my Little Books playground.

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Little books

Posted in collage, drawing, mixed media, paper, recycling, surfaces on June 13, 2015 by Betsy Lahaussois

Sometimes you need to put away all your stalled projects, and get a fresh start. Thinking small and free, and “unimportant”, I tore whole sheets of drawing paper into eight horizontal strips, and folded them into pocket sized books. I quickly realized what a good playground they provide….

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I have been making marks with anything on hand, dripping wax, applying joint compound, scraping some off, gluing on recycled strips from old work, spraying with liquid inks, sanding everything down, brushing on a layer of acrylic…so little cost, so much fun!

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beer can pens!

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Here are my favorite mark makers of the moment, made from popsicle sticks and beer cans. (Yes!)  And here is a week’s worth of little books, hanging from the clothesline.

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One thing I am liking about these strips is that they have a front and a back–twice as much fun for your money!

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(and here are the backs)
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And when they are done, you fold them back up, stow them in nearly no space, and start a new strip! If I remember, I will keep one in my purse for scribbling while waiting in line–a jumping off point once back in the studio.

Dream vs. reality

Posted in collage on April 16, 2015 by Betsy Lahaussois

We’ve always thought it would be nice to have a little more space in Paris, and were recently swept away by a place that filled most of our conditions. We had actually started negotiations when a slight hitch brought the deal to a standstill and allowed us to reconsider; and then euphoria gave way to low grade panic! Oh, the indecision when reality starts to move in on a dream! Is pretty great good enough? Would having more space in central Paris make us feel fully alive, some day when manic walking is no longer an option? or would it be better to live farther away and find a patch of lawn to mow, and a neighbor who doesn’t mind live music at 10:01 pm?

As my friend Paula gently pointed out, these are first world problems! Still, what shape the rest of our lives might take has been much on my mind the last couple of weeks, and, of course, housing thoughts followed me into the studio.

A while ago I found a box of ancient real estate documents in a neighborhood “vide grenier”–timely raw materials for working through my housing ambivalence! They are evocative collage material, with their dates and places and old fashioned columns of handwritten figures. I like the transparency a coat of linseed oil gave the yellowing papers; and how selectively sanding back through the layers added to the feeling of time passing. So many records of transactions for the rich and successful M. Chabrier, dead for at least a hundred years…but could he take it with him?

The blank dream-canvas, where a top floor with terrace is still possible:

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Fixed floor plan and monthly charges start to emerge out of the haze (What? no bathtub?!….)

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Back to the drawing board–it is too early to hammer the lid shut on the rest of our lives!

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Happy “Poisson d’avril”, 2015!

Posted in children's drawings, collage, paper, stitches on April 1, 2015 by Betsy Lahaussois

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After a whole year, I finally untaped Martin’s 2014 fish from the front door, and sewed them onto a black and white postcard that was lying around. Secret collaboration! I am pleased with the texture of the machine stitched lines, and the bits of shiny background showing through.

We dropped it off at their house with a couple of commercial chocolate fish for the boys. Aimee says Martin was delighted to recognize his fish in their new setting! Here he is putting the final touches on this year’s batch just before school.
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Step ladders, collaboration, and grandkids

Posted in children's drawings, digital graphics, surface design on February 23, 2015 by Betsy Lahaussois

Last spring we visited my sister Helen in Colorado, after a family wedding at the other end of the state. Her beautiful house is sparely and artistically furnished with things that spark joy, and this charming ladder, decorated by a local artist as part of a fundraising event, is proudly displayed at the center of the action. While we were there, my childhood friend Sue came down from her mountain top to hike with us, and she too was smitten by its quirky presence. We each made a mental note to investigate decorating ladders once we got home.

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I never found a local source for tall wooden step ladders, but Ikea had some good short ones, ready to assemble. I bought four, and it wasn’t long before Noam, a grandchild who loves projects, swam into my net!IMG_8242

I don’t know if all just-turned-four year olds are as brilliant at following assembly pictograms as Noam, but he lined up the pieces perfectly, selected the right hardware, and let Jacques tighten the screws for him.

I suppose I am like many others with an artistic temperament in that I have always preferred working on my own. You can get a little territorial about your space and your supplies, and following your own hunches seems compelling enough without the distraction of someone else’s input. But I started rethinking the benefits of collaboration when Steve Ford of Ford and Forlano, one of my favorite jewelry designers, came for a visit with slides of his work. Steve explained how he and “Forlano”, who live at the opposite ends of the country, send partially finished work back and forth via UPS, trusting that they are on the same page, and welcoming each other’s “surprise ending”. Not long after Steve left, the Parisians arrived for their summer holiday, and I tested this Collaboration thing, making a family table cloth. It was fun! Nobody spilled toxic chemicals or left my best paint brush to harden in the sun. We surfed on each other’s creative energy!

Collaborative table cloth

Noam, an early layer

So, eager to continue the experiment, I became Noam’s collaborator when we got out the paints. He mostly made the marks, and I mostly said, “Whoa! Enough! Here, try this tool…”, and mixed the paints with the medium. Noam is a man of process!–a new day, a new layer (“any color as long as it is blue!”). I finally declared this stepladder done; it could have gone on forever!

Noam's ladder Don’t you love the signature?Noam's signature

And then we dashed off another, with four or five playful layers. (As you can see, by now the tube of blue paint was History!)unnamed

This week Alexander and Martin are back in Italy for their school holidays. The weather has been moderately cooperative, but yesterday we were all restless from an inside day, and I proposed–guess what?!–assembling and painting the last two step ladders. This team was able to put together their own ladders, and when it came time to decorate, I had a feeling I knew what to expect! (From Alexander, careful geometrical renderings, and from Martin, explosions and amputated limbs and Star Wars imagery…) What was I thinking?–they announced their theme in one voice, with no hesitation. DAZZLE Ladders! We had been looking with delight at the camouflaged battle ships from World War II, and now they were ready to camouflage some furniture.images4926741146_2a31b23416Because the final two ladders are black, it wasn’t such a stretch. I gave them each a pin-nosed bottle with white liquid acrylic, and they dived in. Martin, like a true artist, took the surprises and ran with them. Here is a little Paint Book experiment he had done on my iPad a few months ago:

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And here is how he dealt with an unruly blob of white paint that squirted out of the bottle onto his ladder. I love how he applies discoveries made in other media to the project at hand! IMG_8884Here are both fellows out in the field with their still tacky ladders, hoping to speed up the drying process.IMG_8888

Painting by subtraction

Posted in textiles on July 22, 2014 by Betsy Lahaussois

I have been painting with fabric paints on cloth for a while now, and though it is really fun, and technically as straightforward as painting on a canvas, I am not so happy with the tacky surface I get when I fail to put on the brakes in time. If the piece turns into a table cloth– so often the case!– I don’t really want all that inadvertent texture.

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So I decided to investigate starting with a colored ground, and removing the color to make my marks. I stocked up on black, navy blue and red sheets from Ikea, ran them through a cycle of washing the machine to remove the sizing, and painted/printed/marked them up with bleach or Formusol, a product described in Making your Mark, the excellent handbook published by Claire Benn and Leslie Morgan of Committed to Cloth.

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My results were hit or miss! You need a long, sunny day (or a top quality steam iron and a gas mask), to activate the Formusol, and the black sheet in particular reads like a weather report, with visible splats of rain and smears from grabbing it, still wet, and running for shelter.  Household bleach works much faster, and has its own range of weird effects! It is a little scary combining the two.  I described to a friend how the seemingly innocent combination of household chemicals heated up and shot out of my hand, and she told me the tragic story of her teenaged cousin who blew up the house, and himself.

Enough risky practices; time to consult the experts!

Lucky me–months ago I had managed to snag a coveted place at Claire’s “Working with Intent” workshop, scheduled for the end of June. Nine of us wrote up our wish list of questions and hopes and goals, and Claire custom designed the course to fit our needs. It was heaven! Here is Claire, demonstrating dry monoprinting, a process invented by a friend who got called away in the middle of her (wet) monoprinting project!

 

Claire Benn demonstrating dry monoprint

My wish was to start at square one with the Formusol, and to see whether the process-heavy MX dyes (which don’t sit on the surface like fabric paints but become part of the fiber) are for me. We had a blast! With Claire’s guidance, I over-dyed my pile of samples, cut them into strips, and went home with the makings of two “potato chip quilts” (so-named because you can’t stop at one!)

It was a magical week from every point of view.

 

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We shall see if the energy and water greedy MX dye process is a keeper. Stay tuned to this channel!

 

How to draw your grandmother

Posted in "video", children's drawings, drawing on March 3, 2014 by Betsy Lahaussois

During the recent visit of Martin (7) and Alexander (13), I spent some time on the other side of the drawing board! Martin–whose drawings usually spring from his vivid imagination, and tend to feature mythological battle scenes and severed limbs, drew my portrait, while Alexander acted as cameraman.  It was a fascinating experience. Never in my life have I been so carefully scrutinized; no wrinkle or bulge slipped by undocumented!

I’ve trimmed the twelve minutes of footage down to three, and added a soundtrack of Ronn McFarlane playing “Passemeze”. Enjoy!

http://youtu.be/O_rX9GWWzwE

Screenshot 2014-03-03 10.37.34

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